Everything starts when two cats meet by chance on a street, and we enter into a cross of glances. An unrequited love at first sight. We personify their thoughts, creating a similar situation between a girl and a boy, sitting in the subway. Also, there are two opposite spaces, black and white. Explosions put an end to this untenable situation, and we cross into another fictional dimension even further away. Living the inner world of each one. We used the fang as a leitmotif, taking a different approach to what the song refers to.

PAU’S FILMMAKING IS POLISHED. STYLISH. DARING. SUBCULTURE SAVVY. THOROUGHLY MODERN WITH THE DEPTH OF A GRAINY, NOSTALGIC AESTHETIC. FULL OF TEXTURE AND WARMTH, ATMOSPHERE AND EMOTION. A SPONTANEOUS FEELING TO HIS IMAGERY BELIES A DELIBERATE APPROACH TO HIS TECHNIQUES. PAU KNOWS HOW TO CAPTURE ATTENTION AND HOLD ONTO IT.