1.4 Awards of Brilliant Filmmaking + Standard Rates Frozen until 10 January + FINAL deadline 29 January + More info here + 1.4 Awards of Brilliant Filmmaking + Standard Rates Frozen until 10 January + FINAL deadline 29 January + More info here + 1.4 Awards of Brilliant Filmmaking

Elizabeth Doonan

EP / Special Projects

Smuggler

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Elizabeth Doonan is Executive Producer of Special Projects at SMUGGLER globally, a division she established in October of 2021. Since joining the company in 2019, Doonan has reclaimed
the company’s seat in the music business, creating one of the most awarded and lauded music video departments in the industry. As Executive Producer of Special Projects, she is focused on
discovering and developing new talent alongside the established directors on the roster and attracting and helming projects that sit just outside the traditional advertising and music space.
Doonan has projects in development with A24, Film4, Focus Features and BBC Films, displaying that alongside creative music and branded film work she is committed to pushing the
boundaries into the film, documentary and art space to create culturally relevant work regardless of the genre.

A selection of recent notable projects include Executive Producer of Sundance winning ‘Don’t go Tellin your Momma’ for artist Topaz Jones directed by rubberband.; heavily awarded and
Tribeca selected music video ‘Point and Kill’ for Little Simz ft. Obonjayer directed by Ebeneza Blanche; short film for Louis Vuitton as part of their Visionary series ‘Mine Mind’ directed by
Fenn O’Meally.

Prior to joining SMUGGLER, Doonan worked as a commissioner at Sony becoming one of the UK Music Industry’s top commissioners in the process. Doonan is known for creative excellence
in all that she does, always striving to push the envelope no matter the genre. Her track record in identifying, mentoring, and working with new talent speaks for itself, as she’s amassed an
enviable body of work both as a Commissioner and Executive Producer. Doonan began her career working at some of London’s top production companies including RSA, working directly
with Ridley Scott, and at Somesuch before her role as Creative Assistant to Jonathan Glazer on his film UNDER THE SKIN.